Modern love poems (those beautiful modern poems)
“I Love You” Yu Xiuhua lives like a dog, fetching water, cooking and taking medicine on time every day. When the sun was shining, he put himself in it, like putting a piece of tangerine peel tea leaves to drink: chrysanthemum, jasmine, rose, these beautiful things like lemons, seemed to take me on the road of spring, so I went to drink again and again. Hold down the snow in my heart once and for all. They are too white and too close to spring. Reading your poems in a clean yard, I am in a trance like a sparrow flying by suddenly, the time is too bright for me. If I send you a book, I won’t send you poetry. I will give you a book about plants and crops, tell you the difference between rice and barnyard grass, and tell you about a terrible spring.
Appreciation: This poem begins with a narrative description of a sick woman’s daily life: “Living, babbling, fetching water, cooking, and taking medicine on time every day” / “When the sun is shining, put Put it in by yourself, like a piece of tangerine peel.” A sick woman longing for love feels that she is the “tangerine peel” in medicine under the sun. This image shows her inferiority complex, she is insignificant and helpless in life.
“Drink tea in turn: chrysanthemum, jasmine, rose, lemon”/”These beautiful things seem to take me on the road to spring”. This is an imaginary text, expressing expectations for love and longing for the future. This is just an imagined image. It doesn’t have to be to drink these scented teas, but to fantasize about these beautiful things so that you don’t sink or feel sad. “So I suppress the snow in my heart again and again”. Here, I suppress my sadness, despair, and indifference, and look forward to a better life with an optimistic attitude. “They are too white, too close to spring”, expressing the purity of heart and good wishes.
“Reading your poems in a clean yard. This human feeling/trance is like a sparrow flying by suddenly, and the time is bright. I am not suitable for heartbreak”
A woman in a In the clean yard, I quietly think about my own thoughts, read poems and loved ones, and use the image of “a sparrow flying suddenly” in the yard to describe the impermanence of the world, which is natural and appropriate. Will a loved one change his mind? What a beautiful time, not suitable for heartbroken. “Lovesickness, I want to cherish.
“If I give you a book, I won’t give you poetry/I’ll give you a book about plants and crops. I will tell you the difference between rice and barnyard grass, and I will tell you that barnyard grass is terrible in spring. “
Why send a book about plants and crops? Tell him the difference between rice and weeds, just for the last sentence, the poetic eye of the whole poem:
“Tell you a In spring, when weeds are in fear”
This image comes naturally, without being abrupt, and contains profound meanings. Some people may not understand it, but cultivators will know that rice and barnyard grass are at the same time Growing in the ground, there is not much difference. They can only be distinguished by the width and depth of the leaves, but the barnyardgrass should be removed, and the barnyardgrass should be weeded. The barnyard grass is very strong, and it is picked and thrown on the ridge.Cut off the roots before they stop growing. Spring is beautiful, but weeds are always “fearful” because it may deprive people of their lives. “I” want to tell my beloved how much I love you, and I am afraid of losing you, and I am “in fear” of the same fate as the tares.
Can a woman who loves life and longs for love “babble live” without fear? A woman who lives an optimistic life for love, facing the cruel reality that her life may be ruthlessly deprived at any time, may be abandoned by love and suffer! What an infatuated woman!
This love poem is delicate and natural in expression, and love is pure and beautiful. Rich imagination, unique and wonderful artistic conception, in line with the sequence of emotions and thinking, despite Yu Xiuhua’s controversy in the entertainment headlines. But we have to admit, her poems are pretty good! is a real poet.
The ancient city in front of the gate
How I wish there was a doorway.
In the morning, the sun shines on the grass.
We are standing.
Hold on to the door
The door is low, but the sun is shining.
The grass is setting seeds.
The wind shakes the leaves.
We stood silently.
It is very beautiful.
Yes, don’t open the door.
Ours is beautiful.
Wanders in the morning and night.
Let’s give him the banjo.
We’re not leaving.
We need land.
Land that never needs to be destroyed
We’re going to ride it.
Throughout a lifetime
The land is rough and sometimes narrow.
However, it has a history.
There is a sky and a moon.
A drop of dew and a morning.
We love this land.
We are standing.
Digging with wooden shoes
The door is also hot.
We are leaning against each other gently, it is beautiful.
The grass behind the wall
Won’t grow any more.
It just touched the sun with its fingertips.
Appreciation: Poetry is like a person. In fact, there are many inconsistencies between poetry and people. On the one hand, art itself is higher than reality; on the other hand, poets can get rid of the shackles of reality in poetry without restraint. As the “Emperor of Heaven who cannot board the ship”, Li Bai was also elated when he saw the emperor, and he also had the mentality of saying that the grapes were sour when he couldn’t eat the grapes. Some things that cannot be obtained in reality can be obtained in poetry, being bullied in reality, and evil spirits can be exported in poetry. I once wrote a poem “Poetry and Man” in an attempt to reveal this deficit and fission: “The poem becomes longer/the man becomes shorter/the poem becomes straighter/the man becomes curved//the poem becomes harder/the man becomes softer”. The two sides of a person are the distance and contradiction between ideal and reality. On the one hand, the ideal person exudes the light of personality, and humanity is reflected in the wordsget a greater release. The beautiful clothes of truth, goodness and beauty are draped on language openly, and fake and ugly are crushed by the wheels of thought. On the other hand, people in real life, in order to survive, compromise to reality again and again, succumb to the environment and pressure, are constantly challenged and humiliated, and have to bow their heads to please others. However, human personality and dignity are harmed, people are split, personality is split, and people are alienated by the environment. The people in the poem are very different from the people in reality. Among the Chinese poets, I think Gu Cheng, the fairy tale poet, is the one who basically achieved unity. Restricted by the environment, life does not depend on the will of the poet. Regardless, Gu Chengze went to Waiheke Island in New Zealand to live an isolated life in order to complete his fairy tale. After all, reality is not a fairy tale. His fairy tales could not withstand the wind and rain, and collapsed in the sway. For such an ideal, he paid the price of his life. The basic unity of art and life determines the sincerity and purity of art, so as to gain the courage and possibility to pay for art, have emotions and thoughts that transcend reality, take reality as ideal and art, and ideals and art as reality. Let the distance and differences in all aspects be shortened or disappeared from the poet, truly achieve artistic consciousness, let art reach the soul, and its realm and height are beyond the reach of poets who are not unified.
Gu Cheng is a miracle of new Chinese poetry, and its roots lie here. His most typical and most acclaimed fairy tale poem is “I Am a Wayward Child”, which has a strong sense of presence and a great degree of freedom. It is the realm of “the sea is wide and the fish leap, the sky is high and the birds fly”. Fairy tales belong to children forever. Once a person grows up or matures, he escapes from fairy tales, becomes sophisticated and drifts with the flow, and fairy tales are broken and ideals cease to exist. In this sense, the better poet needs the frankness and brilliance of his children. Gu Cheng also has a fairy tale poem “The Gate”, which is written more implicitly, rationally and artistically. It is as spotless as dew, as mysterious as the stars in the sky, and as bright and warm as fireworks on earth.
This door sounds like a dream. Although one is a front nasal vowel and the other is a back nasal vowel, the mental pulse is connected. “Door”, “door leaf”, “door” appear in the poem (twice). The door runs through the whole poem, giving people a sense of compact structure, but this door is not a door to enter a room, but a door to dreams, spirits, hopes and ideals. The real door is not the same as the poet’s ideal door. In reality, the door is connected with desire, and the front door is bustling, either for profit or for profit. A poet is not a man who leads a life of dishonor. He despises material things, unwilling to be its slave, enslaved by it, and unwilling to compromise with the environment because of his own interests. In front of his fantasy are sunshine, grassland and “us”, which together constitute his colorful fairy tale world. Harmony between man and nature. “We are beautiful when we stand silent”. “We” is a bit vague, it should be spiritual partners who love each other. Standing is not only a physical gesture, but also a mental one. In the era of market economy, many people are defeated by interests and fall down, but “we” are different and still stand. “Don’t talk”, in the noisy era, everyone is fighting for the right to speak, for fear of being forgotten.”Don’t Talk” is “Yet I Feel the Harmonious Heartbeat of the Holy Unicorn,” but it’s better than those shouts. Love is as beautiful as “the wind is shaking the leaves”, mature like “the grass is bearing seeds”, everything is so natural. Fairy tales are incompatible with the world, and the poet finally wrote the door: “If there is a door, you don’t need to open it / This is ours, it is beautiful”. This door is the door of love. why don’t you open it Because “we” have shared the beauty of love before it. I think this is still a fairy tale, and the fairy tale poet’s love is crystal clear in the fairy tale.
Gu Cheng is a representative figure of Misty Poetry School. The bigger difference between him and the misty poet is that the misty poet has achieved a kind of transcendence in art, and he has made another step forward in the misty poet. He does not pursue lofty values like Bei Dao, nor does he pursue the liberation of individuality like Shu Ting. His poetic imagery is different from that of Bei Dao and Shu Ting. He pursues a fairy-tale ideal life, tries to build an independent love kingdom, and expands the spiritual wings of a poet to a greater extent. In the era when Misty poetry was popular, he already possessed the potential of the third generation of poets. He can be found in the third generation of poets, that is, choosing fragments of daily life, expressing them in colloquial language, “anti-culture”, “anti-sublime”, and seeking the soft environment most suitable for human nature. The difference between Gu Cheng and the third generation of poets is that he found fairy tales in his poems, lived happily in fairy tales, and looked at the world, life and love from a child’s perspective. “The Door” is one of his love fairy tales (Wang Lishi).